Monday, February 21, 2011
Andreas Gursky and Muhammed Muheisen
Andreas Gursky is drawn to large man made structures, large gatherings of people and so on. I have never really been a huge fan of architectural photography in a traditional sense. I am not saying the technical mastery required to pull off good architectural work isn't admirable, or that the documentation of certain places/structures is not important. Gursky however really pushes beyond blandness and digs for the human aspect. His best work makes the thoughtful viewer wonder what must be going on in these places, as the occupants live their separate lives. Or in the case of the photo shown above the people are placed in a very sterile and industrial setting, the cold lifeless steel playing off the pink fleshy color of the suits in a wonderful way. Looking at this work has really given me a better appreciation of what can be done with imagery that many would find mundane.
Muhammed Muheisen is shooting in Israel and the occupied areas. Living in a war zone presents such a fantastic opportunity and this guy is certainly taking full advantage. I consider the danger he is in, but my perspective is that of an outsider. I am assuming Muhammed was born and raised here and is accustomed to the violence. What strikes me is the variety of imagery. He is familiar with the area and the people and captures practically every aspect of life there. I have always admired people who aren't afraid to do what it takes to get the shot, Charles Moore has always been a hero of mine. This guy is now on that list.
Tuesday, February 15, 2011
Assignment 1
Blog Assignment 1
The paint chip was interesting for me. I just got this new camera and I am learning how to use it. Metering was spotty as I am using my old film lenses. Using the Sunny 16 rule and a borrowed light meter has solved this problem. There is no auto focus, no image stabilization and I have to use the aperture ring. It really is like shooting film again in that regard, especially when things get a bit faster paced. This in turn causes me to be less complacent. I love it.
I feel like I had some interesting shots, but nothing to write home to mom about. I feel that the shot that was truest to my style is the one of Val at his mixer. I have always liked shallow depth of field, and this old 50 MM prime has really beautiful bokeh, as much as I dislike that term. The Ford was also a pretty strong image, although looking back the wasp was distracting as was mentioned in critique.
I was most inspired by Haley's work not for the mild shock value but more because it reminded me to not abandon my style for the class, but rather to adapt my style to the class, hopefully creating something new and interesting.
Posted by Jeff Bradley at 1:57 PM 0 comments
I feel like I had some interesting shots, but nothing to write home to mom about. I feel that the shot that was truest to my style is the one of Val at his mixer. I have always liked shallow depth of field, and this old 50 MM prime has really beautiful bokeh, as much as I dislike that term. The Ford was also a pretty strong image, although looking back the wasp was distracting as was mentioned in critique.
I was most inspired by Haley's work not for the mild shock value but more because it reminded me to not abandon my style for the class, but rather to adapt my style to the class, hopefully creating something new and interesting.
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